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Yorkville Murals festival holds final edition after city funding cut

Yorkville Murals festival holds final edition after city funding cut | AVALW News

Toronto's Yorkville Murals festival is likely holding its last art-filled weekend after its application for city funding was rejected, organizer Alan Ganev says. Told only a few weeks before the event that the money would not come through, organizers were forced to cancel half of their programming. The festival, which has filled Yorkville with murals since 2019 and drew more than 70,000 people last year, held what is expected to be its final edition on August 22 and 23.

One of Toronto's well-known street art events is bowing out. The Yorkville Murals festival is likely looking at its very last art-filled weekend, organizer Alan Ganev says, after the festival's application for city funding was rejected. What has for years transformed the Yorkville neighbourhood into an open-air gallery now finds itself unable to count on the municipal support it had come to rely on.

According to the organizers, the blow landed with very little warning. They were told only a few weeks before the festival was due to take place that the city funding would not be coming through. That left almost no time to find a way to make up the gap, forcing organizers into difficult decisions just as final preparations were getting under way.

The immediate consequence was a sharp cut to what the festival could offer. Organizers said they were forced to cancel roughly half of their programming as a direct result of the funding shortfall. For an event built around public, free-to-enjoy art, scaling back that much of the lineup marked a significant loss for both the artists involved and the crowds who turn out for it.

The festival has become a fixture of the neighbourhood since it began in 2019. Over the years it has filled Yorkville with murals created by local artists, alongside dancers, fashion designers and other creators who take part in the celebration. It grew into a showcase for homegrown talent, giving the district a splash of colour and drawing visitors to its streets.

Its popularity was not in question. Last year's edition drew more than 70,000 people to the area, underlining how large an audience the event had built. That level of turnout made the loss of support all the more striking for organizers, who had watched the festival steadily grow into a major draw for the neighbourhood.

On the money side, the festival was far from wholly dependent on the public purse. Organizers said more than 60 per cent of the festival's funding was secured through corporate sponsors. Ganev noted, however, that the majority of city grants tend to go toward base-level costs such as closing the street, meeting electrical needs and covering the rising cost of security for public festivals, expenses that are hard to avoid.

For Ganev, the episode points to a deeper problem with how such events are backed. Once you support someone, he said, you need to maintain that support, warning that inconsistent backing makes it difficult for festivals to survive. With the funding gone, the Yorkville Murals held what is expected to be its final iteration on August 22 and 23, closing the book on a run that began in 2019.

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