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TOURISM · US

From Screen to Suitcase: How Set-Jetting Turned Binge Watching Into Booking

Lucinda Knapp Lucinda Knapp lucindaknapp.avalw.com · 133 reads Respect0 Save Share Read only
READS42live count PUBLISHED27 Sept2026 READING TIME4 min868 words LANGUAGEEnglish
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Travelers are increasingly planning holidays around the films and shows they love, chasing the backdrops of their favorite dramas across the globe. Here is how set-jetting became an eight billion dollar force in 2026, and which destinations are cashing in.

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You finish the final episode of a series you have been devouring for weeks, and long after the credits roll one thing quietly lingers. Not the plot twist, but the place. The sun bleached coastline, the misty moors, the fairytale old town where it was all filmed. A fast growing number of viewers are no longer content to simply admire those backdrops from the sofa. They are booking flights to go and stand in them.

What set-jetting means

The travel industry has a word for this now, set-jetting. It describes the simple but surprisingly powerful act of planning a holiday around a film or television location, choosing a destination not from a glossy brochure but from the screen you settle down to watch each night. What began as a quirk of dedicated fandom has swelled into one of the defining travel trends of the whole year.

The numbers behind it are genuinely eye opening. According to the travel giant Expedia, set-jetting is on course to become an eight billion dollar industry in the United States alone, and nearly fifty three percent of global travelers say their desire to take a screen inspired trip has grown over the past year. Among younger travelers, that pull turns out to be stronger still.

A generation that travels by remote control

For Gen Z and millennials in particular, the screen has quietly become the new travel agent. Expedia found that a striking eighty one percent of these younger travelers now plan getaways inspired by the movies and shows they love. For this generation, a beloved series is not merely entertainment but a running shortlist of places they fully intend to visit one day in person.

It marks a real shift in how wanderlust first gets sparked. Where a magazine spread or a friend's offhand recommendation once lit the initial flame, today it is just as likely to be a sweeping drone shot in a prestige drama or the backdrop of a viral streaming hit. The story unfolding on screen ends up selling the setting as surely as any glossy advertisement ever could.

When a show puts a place on the map

A cinematic old town of the kind that draws set-jetters, eager to walk the streets they have watched on screen.
A cinematic old town of the kind that draws set-jetters, eager to walk the streets they have watched on screen.

The effect on individual destinations can be dramatic and almost immediate. When one hit series was set in Sicily, searches for the island reportedly spiked by around three hundred percent, and interest in the specific hotel it featured soared even higher than that. A single popular season can transform a quiet corner of the world into a must visit hotspot in what feels like the space of a few weeks.

The pattern then repeats again and again. The moody landscapes of Cornwall drew fresh attention after a fantasy epic aired, the windswept moors of Yorkshire are enjoying a revival on the back of new period dramas, and the French Riviera is bracing for a wave of visitors ahead of a glamorous series filming along its coastline. Each new production quietly redraws the travel map a little further.

The classics that started it all

Set-jetting may feel like a brand new phenomenon, but its roots actually run quite deep. New Zealand has spent two full decades welcoming pilgrims drawn by its starring role as the backdrop for sprawling fantasy sagas, its rolling green hills and dramatic fjords now all but inseparable from the films shot among them. The country turned a movie trilogy into a permanent pillar of its tourism identity.

Croatia tells a strikingly similar story. The ancient walls of Dubrovnik went from a well kept local secret to a global sensation once they starred as the setting for one of television's biggest fantasy dramas, and visitors still pour in to walk the very streets they once watched on screen. These early success stories showed destinations everywhere just how powerful a good starring role could truly be.

Destinations that are playing along

Tourism boards and governments have very much taken note, and many are no longer leaving any of it to chance. Rather than simply hoping a hit will happen to feature their scenery, some are now actively courting film and television productions, launching dedicated screen tourism initiatives and forging partnerships with studios to make sure the cameras keep on rolling right on their doorstep.

The underlying logic is genuinely compelling. A single successful production can deliver the kind of global exposure that no ordinary marketing budget could ever hope to buy, along with a lasting stream of visitors long after filming has wrapped. For a destination, landing exactly the right show has quietly become an economic strategy rather than simply a lucky break.

Travel with a screen in your pocket

For travelers themselves, set-jetting offers something a standard holiday can sometimes lack, a story to step right inside. Standing in a spot you have watched countless times carries a strange little thrill, a collision of fiction and reality that turns ordinary sightseeing into something much closer to a pilgrimage. It hands a trip a ready made narrative before you have even arrived at the airport.

There is a gentle caution worth keeping firmly in mind, though. The most photogenic locations can quickly become victims of their own sudden fame, and a fragile village or a delicate stretch of landscape may struggle badly under a rush of admirers. The wisest set-jetters travel thoughtfully, visiting outside the peak times and treating these real places with the care a film set never demands. Watch, then wander, but always wander kindly.

Frequently asked questions

What is the projected size of the set-jetting industry in the US?

Expedia projects that set-jetting will become an eight billion dollar industry in the United States. This growth is driven by the fact that nearly fifty-three percent of global travelers report a stronger desire for screen-inspired trips over the past year.

How do Gen Z and millennials use streaming content for travel planning?

Eighty-one percent of younger travelers from these generations now plan getaways inspired by their favorite movies and shows. For this demographic, a beloved series functions as a running shortlist of destinations they intend to visit in person.

Which destinations have seen significant tourism boosts from recent productions?

Sicily experienced a three hundred percent spike in searches after a hit series was filmed there, while Cornwall and Yorkshire have also drawn fresh attention from fantasy and period dramas. The French Riviera is also bracing for increased visitor numbers due to an upcoming glamorous series.

Why are tourism boards actively courting film productions?

Governments view successful productions as an economic strategy because they deliver global exposure that standard marketing budgets cannot buy. These partnerships ensure a lasting stream of visitors long after filming has concluded, turning a single show into a permanent pillar of tourism identity.

What historical examples demonstrate the long-term impact of set-jetting?

New Zealand has spent two decades welcoming pilgrims drawn by its role in sprawling fantasy sagas, making its landscapes inseparable from the films. Similarly, Dubrovnik in Croatia transformed from a local secret into a global sensation after starring in a major television fantasy drama.

What caution is advised for travelers visiting screen-inspired locations?

Travelers are advised to visit outside peak times to prevent fragile villages and delicate landscapes from struggling under a rush of admirers. The goal is to treat these real places with care, ensuring that the thrill of stepping into a story does not damage the destination.

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