Audiences are paying more to watch films the biggest way possible. We look at how IMAX and premium large format screens are driving a record 2026, from The Odyssey to new flagships in Riyadh and Mumbai.
For years the story of the movie business has been about whether audiences would return to theaters at all. In 2026 a clearer answer is emerging, and it comes with a twist. People are not only coming back, they are increasingly willing to pay extra to watch films on the biggest and most immersive screens available. The rise of IMAX and premium large format cinema has become one of the defining trends of the year. In this article we look at that boom, drawing on available information and published sources.
IMAX's record year
The clearest sign of the trend comes from IMAX itself. According to available information, IMAX delivered more than 720 million dollars in box office by the end of July 2025 and was on course for a record 1.2 billion dollars in global box office across the year. Those are remarkable figures for a company that operates on a relatively small number of premium screens. The message is simple, a growing share of moviegoers is deliberately seeking out the largest possible presentation for the films they care about.
The Odyssey and the premium pull
One title in particular illustrates the appetite for premium formats. According to available information, Christopher Nolan's The Odyssey generated 81.4 million dollars globally in IMAX alone, out of 264.1 million dollars overall. That means a substantial slice of the film's audience actively chose the IMAX experience. When a large chunk of a movie's ticket sales comes from a limited number of premium screens, it shows how much weight those formats now carry in a film's overall performance.
A market on the rise
The broader premium large format market is expanding quickly. According to available information, global premium large format cinema was worth about 1.85 billion dollars in 2024 and is forecast to reach 4.11 billion dollars by 2034. That kind of projected growth signals confidence that the appetite for premium moviegoing is not a passing fad. Instead, exhibitors and studios appear to be treating large format screens as a central pillar of the theatrical business for the coming decade.
More than a third of the box office
Perhaps the most striking statistic concerns how much of the box office these screens now capture. According to available information, premium large formats account for over 35 percent of the total domestic box office for major studio releases. In other words, more than a third of the money spent on big Hollywood titles now flows through premium screens, even though they represent a minority of all seats. That concentration gives these formats outsized influence over how films are marketed and released.
Screens multiply
To meet the demand, the number of premium screens keeps growing. According to available information, there are now more than 950 theaters in North America equipped with premium large format screens, a jump of 33.7 percent compared with just five years ago. This steady buildout shows that exhibitors are betting real money on the format. Rather than simply adding more standard auditoriums, cinemas are upgrading toward fewer but more impressive rooms designed to justify a higher ticket price.
Going global
The premium boom is not confined to North America. According to available information, expansion into the Asia Pacific and Middle Eastern markets has accelerated, with China remaining the largest growth territory as of August 2026. New flagship locations in Riyadh and Mumbai are setting global benchmarks for luxury cinema. This international push suggests that the desire for a grand, event style moviegoing experience is a worldwide phenomenon, not just a habit of North American audiences.
New competition heats up
As the market grows, IMAX no longer has the space to itself. According to available information, recent developments in laser projection and aggressive expansion by competitors such as EVO Entertainment have successfully challenged IMAX's long standing dominance. More players in the premium arena can mean faster innovation and wider availability, but it also raises the stakes for every operator. The competition to offer the most compelling big screen experience is now a genuine race rather than a one company story.
Why audiences pay more

At the heart of the boom is a simple question, why do people pay a premium at all. The answer lies in the experience, a larger and brighter screen, more powerful and enveloping sound, and a sense of occasion that turns a film into an event. In an age when almost anything can be streamed at home, the premium format offers something a living room cannot easily match. For many viewers, paying extra is less about the ticket and more about making a night out feel special and memorable.
Why studios and filmmakers care
For studios and directors, premium screens have become strategically important. When a large share of opening box office comes from these formats, filmmakers have strong reasons to design their movies with the biggest screens in mind. Directors known for spectacle increasingly shoot with premium presentation as a goal, and studios time their tentpole releases to secure prime premium screen availability. The format is no longer an afterthought but a key part of how major films are conceived and launched.
What it means for theaters
For cinema operators, the premium trend offers a lifeline and a challenge at once. Upgrading to large format screens is expensive, but it gives theaters a clear reason for audiences to leave home. By differentiating themselves from streaming through an experience that cannot be replicated on a phone or television, cinemas can defend their place in the entertainment landscape. The risk is that smaller venues without the resources to upgrade may struggle to compete for the biggest releases.
The bigger picture
Seen from a distance, the premium screen boom is cinema's confident answer to the streaming era. Rather than trying to beat home viewing on convenience, theaters are leaning into what they do best, scale, immersion and a shared communal experience. The strong 2026 numbers suggest this strategy is working, at least for the biggest titles. Whether it can support the entire industry, including mid sized films and smaller cinemas, remains one of the key questions for the years ahead.
Conclusion
In summary, IMAX and premium large format cinema have become a driving force behind the 2026 box office. According to available information, IMAX is heading for a record year, premium formats now capture more than a third of major studio revenue, and the format is expanding rapidly around the world. Audiences have made clear that they will pay more for a truly big screen experience. As competition intensifies and screens multiply, the premium format looks set to shape the future of moviegoing for years to come.

Keep subscribing to Mateo ReyesHer next filing reaches you the moment it publishes, on her own subdomain.
Subscribe
